What Cameras and Lenses Do I Use for Expert Photography_

As educated photographer, I exploit numerous completely completely different gear to make my pictures, from cameras to lenses, to tethering stations and powerful state drives, and lights. On this assortment of articles, I will let you realize exactly what gear I exploit and why, starting off with cameras and lenses.

The digital digicam and lens combo that you just use will definitely affect how your images look. Primarily, it is the centerpiece of taking images. With out an image-capturing gadget, you presumably can’t be doing any work.

Digicam Our our bodies

Canon 5D Mark IV

The ultimate of Canon’s 5D assortment, this DSLR was launched in 2016. It shoots 30.1-megapixel images, which might be lots to grab ingredient. The low-light effectivity of the digital digicam could be pretty superior, even in 2022. In my view, you presumably can push the digital digicam to ISO 12,800 and get acceptable images. In case you’re going previous that, you are more than likely taking footage inside the darkness. I went as extreme as ISO 6,400 for large print work, and no person batted a watch. The 5D Mark IV is a full physique digital digicam, that implies that it produces images with increased color depth and accuracy. Personally, I select taking footage on a full physique sensor, as a result of it sits inside the good sweet spot between expensive medium format and crop sensors.

The 5D Mark IV is a digital digicam that I exploit as a rule for work that won’t revenue from extreme ingredient. This may be {{a magazine}} shoot or a social media shoot for an influencer. If I do know that the image gained’t be cropped significantly, I moreover attain for the 5D Mark IV. One different use for the 5D Mark IV is casual pictures. Whereas actually not being a digital digicam I carry daily, it is the physique that comes on journeys and completely different non-public occasions.

The 5D Mark IV could be the digital digicam I exploit for video work. Whereas it is merely overwhelmed by one thing Canon has put out after, notably the EOS R5 and even the R6, it is nonetheless acceptably good for taking footage talking head, workshops, or one thing that doesn’t require extreme physique fees. It’s a very good B digital digicam, notably with C-Log put in. Because of the video work that I might normally shoot on the 5D Mark IV wouldn’t primarily desire a crazy color grade, I did not bother placing in it. Merely talked about, duties that don’t have the funds to rent a video rig are executed with the 5D Mark IV. These purchasers don’t seek for a cinematic award-winning grade by a colorist. They seek for a video.

If I do know I am doing expert work and I can solely carry one digital digicam physique for regardless of trigger, the 5D Mark IV is the physique I am taking. It combines every passable video specs that I can film a small-scale enterprise on along with good all-around {photograph} specs which will get most, if not all, jobs executed.

Canon 5DS

When the job is further demanding by means of image prime quality or I do know that I shall be doing a beautiful art work print of the image, I generally tend to alter to the Canon 5DS. This digital digicam has its private quirks, it is far more space of curiosity by means of software program, and the circumstances should be good. I see using the Canon 5DS as using a Hasselblad: for the perfect work, with the perfect circumstances.

Because of the digital digicam is so extreme resolution, it is naturally not that good of a low-light performer. There is a trigger it is generally known as the 5DS: to be used inside the studio. Most likely essentially the most usable ISO on this digital digicam is 800, although on account of my images are typically enhanced with grain, I don’t ideas pushing the digital digicam previous. One different very important issue to study a digital digicam that works with such extreme resolution is that it captures unbelievable ingredient, along with focus that is barely off, blur, chromatic aberration, sensor mud, and completely different imperfections. The technically best images that I acquired with the 5DS had been shot utterly with high-end flash inside the studio.

It’s a stills digital digicam, no matter it being able to shoot video. This may be the ultimate digital digicam that you must use to shoot video. Select the lots older nonetheless cheaper 5D Mark II to shoot video or put cash into one factor that isn’t a video potato, such as a result of the EOS R5.


I bought into the hype of the “holy trinity” of lenses, as you presumably can very successfully see from my guidelines. It is a good lens assortment, however after I needed to buy my lenses but once more, I might do it in any other case. Hold tuned for that article. It ought to come out rapidly. Nevertheless, let’s communicate regarding the lenses.

Canon EF 16-35mm f/2.8 II

That’s the least used lens in my arsenal. I are inclined to get it out after I’m taking footage full-body images and must go a little bit of bizarre with the angle. Usually, this lens is used for 4K video on the 5D Mark IV, as a result of the digital digicam crops video output. Beneath, you presumably can see a few images I made with the 16-35mm f/2.8, totally on the broader end of the zoom range.

There may be not truly lots I can say about this lens, as a result of it might not get lots use. If I’m being honest, I might more than likely promote this lens if there weren’t select events when the massive angle distortion is strictly what I need. Instantly, I might get the 11-24mm f/4 and even the EF 8-15mm Fisheye f/4, as I pretty similar to the aesthetic.

Canon EF 24-70mm f/2.8

This lens deserves a separate article, as a result of it has shot prettymuch all of my portfolio and my enterprise stills. To be frank, after I purchased it, I was pretty underwhelmed, as I observed a boring lens that didn’t give an thrilling big angle or straightforward bokeh on the telephoto end. The zoom range was not that spectacular each compared with a 24-105 f/4 IS.

I exploit this lens primarily inside the 45-55mm range. This isn’t an intentional various, nonetheless considerably a unconscious one. In spite of everything, I do use the lens at completely different focal lengths, nonetheless it is lots a lot much less sometimes. This lens is considerably earlier, nonetheless not the oldest in my arsenal. Whereas it is good for every video and stills, it is not the sharpest or most right by any means. To ensure that you closing effectivity, look away from Canon and in path of Zeiss. They’re renowned for his or her effectivity. However as soon as extra, try to justify this enhance, on account of the trusty Canon zoom from the ultimate decade will do most jobs. That talked about, I will enhance my 24-70mm when my current one totally fails. To date, it has dents throughout the physique, it has taken a number of bodily abuse, and I can’t pretty zoom to 70mm on it anymore. Nonetheless, the aperture works, the zoom range largely works, and the weather-sealing, successfully, let’s not verify that. I’ve had it inside the snow in Finland, and it labored fantastic. It has moreover shot beneath pouring rain and in scorching heat. The reliability of this lens, though I bought it used, is out of question.

Canon EF 70-200mm f/2.8 IS

That’s the second most used lens in my setup. Usually, I exploit it after I have to get additional far with video or comparatively shut for magnificence work. I infrequently use it for portraits or full physique, though. This lens is good at offering you with the pliability to shoot from far-off, nonetheless I on a regular basis ponder it fastidiously sooner than taking it out for magnificence work. The rationale for that is simply because I like all of the items in focus, and the 70-200mm would not on a regular basis give me which means, notably earlier 150mm, even at f/11. Within the occasion you’re taking footage pretty macro, I might advise staying away from using the 70-200mm, and switching to a 100mm Macro or a 24-70mm. Whereas it sounds counterintuitive, a shorter focal dimension grants you further depth of self-discipline, subsequently further of your image being in focus. I am talking about all the 1000’s and 1000’s of magnificence images the place the tip of the nostril is nowhere near being in focus. Common, this generally is a lens I moreover use pretty infrequently, completely on location, and after I can’t get shut enough to my subject, which could be unusual.

Closing Concepts

As you presumably can see, if I would solely private one physique and one lens to shoot all my work, I might go for the Canon 5D Mark IV and a 24-70mm f/2.8. In case you might be learning this textual content in search of suggestion on what gear to buy and are utterly set on getting one factor new, buy the Canon EOS R5 and an RF 24-70mm f/2.8 and under no circumstances look once more. As boring as this combo is, it is essentially the most useful one.